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Today, as we leaned back in the wobbly chairs at our kitchen table, a radio announcer bleated
That it was eleven when we’d thought it was noon. The morning  suddenly seemed ecstatic:  
       lukewarm coffee
In my battered tin cup, the Enterprise with news of another school board reshuffling, trash cans
Full of egg cartons and plastic strawberry boxes outside the window were all more hopeful.  
These last months you and I have slept long past the alarm’s blare each morning, in our  
       bedroom—dark where ginkgoes  
Block the morning light—we call “the crypt.” That time spent writhing in the green sheets, half-
       awake  
And testy, seems lost, given away. (My sleeping patterns are corrupt, reads the first page of  
       your journal  
From last year—the only page that’s written on.) On our second night in this house
You picked gardenia blossoms from the bush outside and put them in a bowl of water on the  
       night table,
Where they filled the room with a scent so sweet it stung our nostrils like ammonia;
Of course they turned a sickly russet in a few days and puckered inward, bound for the trash. You  
       also placed,
On the bedside ledge, a picture of my young grandmother sitting by a wooded lake—years before
Her six children? I can barely recognize her clunky, skewed smile, her black hair  
In a bun, high cheekbones pulling her skin taut in the 1940s afternoon. What was her voice like?  
      Suppose  
We could telephone the dead, J. wrote; but we can’t. I remember my grandmother in a flimsy  
       green hospital gown,
Playing round after round of gin rummy with her best friend Jim, the red-baiting priest, whose  
       own
Death wasn’t far off. As I left for the airport she said, “I’ll come to New York for the weekend  
       when I get out of here,  
We can go to dinner at Mama Lucia’s.” She knew she wasn’t getting any better but what could I  
       answer?
The next time I saw her, she was full of embalming fluid in a flower-filled casket.
What wouldn’t I give to be back on the ninth floor of Indianapolis General, going downstairs to
       scrounge
Cigarette butts from an ashtray outside the emergency room? I don’t want to end up hooked to an  
       oxygen tank, croaking
My last words; I finally quit when you and I fell in love, after however many years of trying. I do  
       long for it, though.
Once I bummed one from a sandbag-bellied security guard at a Tenderloin bus stop, his face  
       laced
With bulging veins, the whites of his eyes a dull pink. He wheezed handing over the smoke, and  
       cackled,
“Tell St. Peter at the pearly gates, ‘I’m sorry, but I just can’t wait!’” I’ll never forget him. Or  
       will I?
In my favorite novel, Carmine recollects only the most insignificant happening on his deathbed:  
Why on earth his memory should have squandered and destroyed so many days and so many  
       events, and yet  
Preserved that moment so accurately, bringing it through the years, tempests, and ruins, he did  
      not know.  
What will we remember of this time of our love’s (as we say) fullness? Maybe the pain
Of your fingers squeezing a blackhead from my chin in the bathroom last night will be the only  
       scrap left
For me to clutch, at the end.... Last March, waiting for you to come down the airplane’s  
       accordion-tube into the gate,
Surrounded by other waiting people—some with crinkly, heart-shaped balloons, scanning the  
       emerging faces,  
Others off to one side reading newspapers—I remembered the Jehovah’s Witnesses pamphlet  
       slipped through  
The mail slot one morning: a painting of people all ages and races, hugging frantically or  
       staggering back to gape  
At each other; YOU WILL BE REUNITED WITH YOUR LOVED ONES IN HEAVEN, it  
       read. How I wish
That other world were real as the half-rotten wooden lawn chairs in our backyard, where your  
       red sweatpants
Are pinned to the line, and we sit all afternoon reading and eating almonds, our knees barely  
       touching. Maybe the joy
Of that extra hour is the only afterlife we’ll ever have. Omar the cat—grayish brown, fat,  
Green-eyed—saunters inside, stops, hacks, pukes up grass and pink bile on the kitchen floor, then  
       pads away,  
Proud and disinterested. The shower drain is clogged with our hair, glued together with  
       soap.
Tomorrow we will lie in bed past ten, then eleven, in those book- littered sheets: “Sweetheart,
“We have to get up.” “I know.” “No, really, we do.” “I know, but listen—just give me fifteen  
       minutes more.”
Daylight Savings
By: Eric Gudas
InDigest